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Jewly Hight
Record of the Week
Record of the Week: Tierra Whack’s “R&B?,” “Pop?” and “Rap?” EPs
February 1, 2022
By
Jewly Hight
Nashville Artist Of The Month
It’s right there in the name: Brassville is helping expand Nashville’s musical identity with a standout sound and sense of purpose
January 28, 2022
By
Jewly Hight
Music Stories
In the Scene: Singling out upcoming shows from singer-songwriters, high-intensity bands and new collabs
January 27, 2022
By
Jewly Hight
Music Stories
In the Scene: The first edition of the Country Music Almanac is packed with cutting-edge commentary
January 20, 2022
By
Jewly Hight
Record of the Week
Record of the Week: PETTY’s ’53 Fridays’ and ‘Hold the Applause’
January 18, 2022
By
Jewly Hight
Music Stories
In the Scene: Previewing new releases from indie rock luminaries, hip-hop collectives and roots experimenters
January 13, 2022
By
Jewly Hight
Record of the Week
Record of the Week: Isaia Huron’s ‘Cerulean Tapes’ and ‘Bound’
January 11, 2022
By
Jewly Hight
Music Stories
Taking Stock of 2021: Andrea Williams weighed in on where the country music industry was with racial equity
January 7, 2022
By
Jewly Hight
Music Stories
In the Scene: Music we might’ve have missed in 2021 and stories to watch for in 2022
January 6, 2022
By
Jewly Hight
Nashville Artist Of The Month
Playlist: The eight members of Brassville put cultivating a collective vibe ahead of ego
January 4, 2022
By
Jewly Hight
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